Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

BY MIKE METTLER — JUNE 25, 2015

Jac Holzman, the founder of Elektra Records, signed The Doors after seeing them play four consecutive nights as the Whisky a Go Go house band in Los Angeles in 1966. He went back on the second night out of deference to Arthur Lee of Love, a band that was already […]

By |June 25th, 2015|The SoundBard Interview|Comments Off on Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

Graham Parker Squeezes Out Hi-Res Audio Sparks by Adding the Right Amount of Mystery Glue

BY MIKE METTLER — JUNE 12, 2015

Graham Parker has a surefire way of ensuring his longtime backing band The Rumour understands exactly how to execute the arrangements of his new songs: “You have to kick them a lot, very hard!” he says with a devilish laugh. He is, of course, joking (I think). Parker and […]

Joan Armatrading Has Deep Love and Affection for Ensuring the Sound Quality of Her Recordings

BY MIKE METTLER — MAY 28, 2015

For musicians of a certain era, it was either The Beatles, Elvis, or the blues that inspired them to start making their own music. For singer/songwriter Joan Armatrading, all it took was the furniture in her house. “This is what I was born to do,” says Armatrading, who’s […]

By |May 28th, 2015|The SoundBard Interview|Comments Off on Joan Armatrading Has Deep Love and Affection for Ensuring the Sound Quality of Her Recordings

Brian Wilson Feels No Pressure When Creating His Sonically Beautiful Pocket Symphonies

BY MIKE METTLER — MAY 13, 2015

How does he do it? How does the eternal Beach Boy Brian Wilson keep composing all-new harmonically gorgeous and sonically seductive pocket symphonies (as he likes to call them), 50-plus years into his career? The answer, he says, is quite simple: “I know in my head — in […]

By |May 13th, 2015|The SoundBard Interview|Comments Off on Brian Wilson Feels No Pressure When Creating His Sonically Beautiful Pocket Symphonies

Tori Amos on the Hard-Fought Sound-Quality Legacy of Little Earthquakes and Under the Pink

BY MIKE METTLER — APRIL 29, 2015

Tori Amos has always been an artist who knows what she wants, and knows how to get it. “Music was always first,” she says. “The records you hear, whether you like them or not, you can blame me for, because I was fighting all the time that the […]

By |April 29th, 2015|The SoundBard Interview|Comments Off on Tori Amos on the Hard-Fought Sound-Quality Legacy of Little Earthquakes and Under the Pink

Michael Des Barres Unlocks the Key to the Raw ’N’ Rockin’ Audio Universe

BY MIKE METTLER — APRIL 9, 2015

Chances are you know the name Michael Des Barres, but just exactly how most likely depends on your entry point. If you’ve read I’m With the Band: Confessions of a Groupie, then you know him as the ex-husband of Miss Pamela, Pamela Des Barres. If you’re a devout fan […]

By |April 9th, 2015|The SoundBard Interview|Comments Off on Michael Des Barres Unlocks the Key to the Raw ’N’ Rockin’ Audio Universe

Dream Into Action: Howard Jones Likes to Engage in High-Res Audio Practices Live and on Record

BY MIKE METTLER — MARCH 25, 2015

To borrow a song title, things can only get better for Howard Jones. Known for such indelible synth-driven ’80s hits like “What Is Love?,” “No One Is to Blame,” “New Song,” and “Everlasting Love,” Jones has focused his efforts in recent years on his inherent talents as a […]

By |March 25th, 2015|The SoundBard Interview|Comments Off on Dream Into Action: Howard Jones Likes to Engage in High-Res Audio Practices Live and on Record

Jorma Kaukonen Fingerpicks His Way Through an Unhurried Embryonic Hi-Res Journey

BY MIKE METTLER — MARCH 12, 2015

To modify a phrase, fingerpicking guitar maestro Jorma Kaukonen just keeps on innovatin’. For over a half-century, Kaukonen has followed his own path and applied his folk roots to variations on psychedelia with Jefferson Airplane and free-form blues with Hot Tuna, not to mention his own solo rock and unplugged […]

Stereo Is Father to the Surround: Al Kooper on Mixing Super Session and Blood, Sweat & Tears in 5.1

BY MIKE METTLER — MARCH 2, 2015

Al Kooper has been a mastermind behind the board of many a storied session over his half-century career (for artists such as Mike Bloomfield, Blood, Sweat & Tears, Lynyrd Skynyrd, and the Tubes, to name but a few), but his prowess as a multichannel mixmaster has been largely […]

The Harmonic Converger: Juliana Hatfield on Harnessing Melody and Battling the Inability to Communicate

BY MIKE METTLER — FEBRUARY 25, 2015

Being appointed one of the queens of the alternative music scene was never one of Juliana Hatfield’s goals. But there she was, right in the thick of the then-burgeoning movement — first in the alt-rock trio Blake Babies, then as a titular solo artist known for meshing expressive vocals with […]

By |February 25th, 2015|The SoundBard Interview|Comments Off on The Harmonic Converger: Juliana Hatfield on Harnessing Melody and Battling the Inability to Communicate