Yanni Composes a Sensuous Hi-Res Sonic Chill Experience (…and 5.1 Studio Material May Follow)

BY MIKE METTLER — FEBRUARY 3, 2016

The concept of being a true global artist didn’t really exist until the rise of Yanni, the visionary Greek keyboardist/composer who’s played his own unique brand of instrumental music for over 5 million concertgoers worldwide (and counting). Sometimes, you’ll find him and his top-tier “United Nations” orchestra playing for […]

Perfect Surround Sound Sense: James Guthrie on Mixing Roger Waters and Pink Floyd in 5.1

BY MIKE METTLER — SEPTEMBER 25, 2015

Good things come to those who wait, as the saying goes. But when it comes to finally getting producer/engineer James Guthrie’s long-awaited 96kHz/24-bit mix of Roger Waters’ 1992 solo album Amused to Death in 5.1 on Blu-ray in hand, well… the word “good” isn’t quite good enough. “Great” is […]

By |September 25th, 2015|The SoundBard Interview|Comments Off on Perfect Surround Sound Sense: James Guthrie on Mixing Roger Waters and Pink Floyd in 5.1

Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

BY MIKE METTLER — JUNE 25, 2015

Jac Holzman, the founder of Elektra Records, signed The Doors after seeing them play four consecutive nights as the Whisky a Go Go house band in Los Angeles in 1966. He went back on the second night out of deference to Arthur Lee of Love, a band that was already […]

By |June 25th, 2015|The SoundBard Interview|Comments Off on Bruce Botnick on the Perception of Surround Sound and Harnessing The Doors’ Hi-Res Audio Fire

Dream Into Action: Howard Jones Likes to Engage in High-Res Audio Practices Live and on Record

BY MIKE METTLER — MARCH 25, 2015

To borrow a song title, things can only get better for Howard Jones. Known for such indelible synth-driven ’80s hits like “What Is Love?,” “No One Is to Blame,” “New Song,” and “Everlasting Love,” Jones has focused his efforts in recent years on his inherent talents as a […]

By |March 25th, 2015|The SoundBard Interview|Comments Off on Dream Into Action: Howard Jones Likes to Engage in High-Res Audio Practices Live and on Record

Stereo Is Father to the Surround: Al Kooper on Mixing Super Session and Blood, Sweat & Tears in 5.1

BY MIKE METTLER — MARCH 2, 2015

Al Kooper has been a mastermind behind the board of many a storied session over his half-century career (for artists such as Mike Bloomfield, Blood, Sweat & Tears, Lynyrd Skynyrd, and the Tubes, to name but a few), but his prowess as a multichannel mixmaster has been largely […]

Roland Orzabal & Curt Smith of Tears for Fears Enjoy Taking Their Seats in the High-Resolution Big Chair

BY MIKE METTLER — JANUARY 14, 2015

“Once we had dipped our toe in the water, it set us on a course to have a much bigger, much more robust, and not-so-introspective sound.” Roland Orzabal is describing the veritable aural sea change he and his Tears for Fears creative partner and bandmate Curt Smith underwent […]

Steve Hackett Re-Revisits Genesis and Looks Forward to Being “Ambushed” by Music in All Channels

BY MIKE METTLER — NOVEMBER 26, 2014

“I personally like to be surrounded and ambushed by music. I want it to surprise me, and I want it to come from surprising places,” says Steve Hackett, echoing the sentiments of scores of audiophiles the world over. The progressive-minded guitarist has been enjoying accolades for the depth, compositional excellence, […]

By |November 26th, 2014|The SoundBard Interview|Comments Off on Steve Hackett Re-Revisits Genesis and Looks Forward to Being “Ambushed” by Music in All Channels

Louder Than Words: Producer Andy Jackson Takes Us Exclusively Inside the Making of the Final Pink Floyd Album, The Endless River

BY MIKE METTLER — OCTOBER 22, 2014

“It’s a very common name. Back of $20 bills, that’s me.” Producer Andy Jackson is being typically self-effacing as he leans back in a chair across from me in front of the massive 48-track Neve 88R console that dominates the control room in the Astoria, the grand houseboat recording […]

By |October 22nd, 2014|The SoundBard Interview|Comments Off on Louder Than Words: Producer Andy Jackson Takes Us Exclusively Inside the Making of the Final Pink Floyd Album, The Endless River

Deep Purple Drummer Ian Paice Celebrates Late DP Keyboardist Jon Lord’s Legacy as Composer and Rocker

BY MIKE METTLER — OCTOBER 10, 2014

“Souls, having touched, are forever entwined.” It’s a lyric penned by Deep Purple’s Ian Gillan in honor of his dear friend and late bandmate Jon Lord, the original keyboardist for Deep Purple who pioneered merging rock music with classical themes when he composed the material played jointly by […]

Play Me My Song: Mike Rutherford Opens Up About Genesis’ R-KIVE, Mike + The Mechanics & More

BY MIKE METTLER — SEPTEMBER 25, 2014

And then there were… five? The photo above is no trick of the tale, for you’re indeed seeing the five key members of Genesis — from the top of the stairs down, Phil Collins, Tony Banks, Steve Hackett, Peter Gabriel, and Mike Rutherford — together again for the […]