The Rhythmatist’s Method: Stewart Copeland on Restoring the 1925 Silent Film Ben-Hur, That Snare Drum Sound & a Few Police Matters

BY MIKE METTLER — APRIL 18, 2014

Never let it be said that Stewart Copeland has idle hands. The innovative Police percussionist and ace composer has been working tirelessly on composing a soundtrack to MGM’s 1925 silent film Ben-Hur: A Tale of the Christ, which, in addition to being a legendary broad-sweeping and groundbreaking epic tale, is […]

Sunshine of Your Groove: Jack Bruce on Getting Silver Rails on Track, Recording at Abbey Road Studios & The Essence of Cream

BY MIKE METTLER — APRIL 17, 2014

The bottom end has never been quite the same since Jack Bruce picked up his first bass over 6 decades ago. The vaunted Cream bassist wrote the book on the art of the low-end hook, as his syncopated approach to playing bass helped shift pop music’s bottom-end emphasis away from […]

Mono a Mano: Retro King Nick Waterhouse on His Love of Vintage Vinyl & Mastering in Mono

BY MIKE METTLER

Call him The King of Retro Cool. You may have seen Nick Waterhouse wondering “where you think you’re gonna go/when your time’s all gone?” in the current Lexus CT Hybrid “Live a Full Life” commercial campaign, but his super-snazzy brand of modern jazzabilly rock extends well beyond that 30-second snippet. His second full-length […]

Tiers of Actual Sighs: Richard X. Heyman Puts The X in Songwriting & Pop Rocking Excellence

BY MIKE METTLER

Richard X. Heyman is a rock & roll lifer. I first became exposed to his indelible brand of garage pop on his 1990 solo album Living Room!! (Cypress), instantly falling for the hooks of “Union County Line” and “Local Paper.” (And, yes, I do have it on vinyl, folks.) Soon thereafter, I learned […]

Mad Dogs and Shelter People: Leon Russell Looks Back on an Amazing Life Journey

BY MIKE METTLER

“I’m basically what is known as a talented illusionist.” So says piano wizard Leon Russell, but the Oklahoma native is being more than somewhat modest. His C.V. is as impressive as they come: First-call member of the legendary ’60s L.A. studio collective known as The Wrecking Crew, co-founder of Shelter Records in […]

Go Ahead and Spin It to Me: Benmont Tench Breaks Down Why He Loves Lucky on Vinyl

BY MIKE METTLER — MARCH 26, 2014

“I don’t want to stop anyone from getting the CD, but vinyl is the truest way to hear this record,” says Benmont Tench about his new solo album, You Should Be So Lucky (Blue Note). “When you have Glyn Johns [The Rolling Stones, Eagles, The Who] recording something […]

You Gotta Serve Somebody: Tony Hale on Taking Care of Veep Business, Every Day

BY MIKE METTLER

Don’t mess with a man who knows how to guard a bag with his life. In this case, that would be Gary Walsh, the body man/personal aide played by Tony Hale on HBO’s Emmy-winning Veep, which sees its second season out on Blu-ray, DVD, and digital download on March 25 and its […]

Days of SQ Surpassed: The Timeless Flight of Justin Hayward and The Moody Blues

BY MIKE METTLER

“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To […]

Not Like Everybody Else Does: Matthew Sweet and Susanna Hoffs Totally Cover the ’80s

BY MIKE METTLER

“The thing that was so interesting about the ’80s was that it was very diverse,” says Susanna Hoffs — and if anyone should know, it’s the longtime Bangles lead singer/guitarist who saw much Egyp-she-an-fueled success in that decade. “It was a smarter, cooler time, and it’s good to see that it’s more […]

Total 5.1 Mass Retain: Steven Wilson on Mixing Yes’ Close to the Edge in Surround Sound

BY MIKE METTLER

“On the surround mix, it sounds just like you’re in the room with Steve Howe while he’s playing those guitar harmonics.” Steven Wilson is describing the clarity of the gorgeous acoustic intro to “And You And I,” the second track on Yes’ groundbreaking 1972 LP, Close to the Edge. (Said intro is […]